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Performance Art

Ei Arakawa and Nora Schultz ‘Social Scarecrows Printing Fields’, 2012. Courtesy: the artists and Reena Spaulings Fine Art, New York, USA

Are we evolving from a collector-driven art world to an audience-driven one?

By Daniel Baumann
Chim↑Pom, The History of Humans,  2015, performance documentation. All images courtesy the artists and MUJIN-TO  Production, Tokyo

The provocative works of the Japanese collective Chim↑Pom

Ohne Titel Nr. 1, 2014, Volksbühne, Berlin (© Thomas Aurin, Berlin)

Actor and theatre director Herbert Fritsch on his love of art – from Jackson Pollock to Dieter Roth – and not using scripts

By Jan Kedves
Clark Beaumont, Coexisting, 2013. Photograph: Jamie North/Kaldor Public Art Projects

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’

By Emily Cormack
Real Artists Don’t Have Teeth, 2009, Performed by Jakob Tamm, Installation view ‘L’Inadeguato,  Lo Inadecuado,  The Inadequate’ Spanish Pavilion,  54th Venice Biennale, 2011

The collaborations and performances of Dora García, who is currently representing Spain in the Venice Biennale, engage with radicalism, inadequacy and the excluded

By Max Andrews

Johannesburg Art Gallery

By Sean O’Toole

Role-playing and cultural identity; a maharaja, a dandy, a queen and a hairy ‘native’

By Zehra Jumabhoy

Whitney Museum of American Art, New York, USA

By Kristen M. Jones
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