Philomena Epps

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As a major retrospective opens in London, we take a rearview of one of her most iconic works 

 

BY Philomena Epps |

Guts Gallery founder Ellie Pennick employs an equitable business model to empower the next generation of artists

BY Philomena Epps |

In London, shows by Bruce Nauman, Klara Lidén and Helen Cammock reflect on the pleasures and politics of idleness

BY Philomena Epps |

‘Fantastic Women’, currently on view at Louisiana Museum of Modern Art, Humlebaek, is one of many recent shows revising the art-historical canon

BY Philomena Epps |

An artist who made a mockery of wealth and class pretensions is revivified as a prophet of possibility in a corrupted world

BY Philomena Epps |

From her kitchen table in Canterbury, the Australian curator quietly reinvented the exhibition format

BY Philomena Epps |

At Amanda Wilkinson Gallery, London, two series of work from the 1970s show the late artist’s playful, powerful intertwining of text and image

BY Philomena Epps |

Exploring the legacy of the radical 1960s London gallery in a group show curated by kurimanzutto, Mexico City, at Thomas Dane, London

BY Philomena Epps |

Alfredo Jaar’s show at Yorkshire Sculpture Park, Wakefield, forces truth and images to confront each other

BY Philomena Epps |

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

BY Philomena Epps |

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

BY Philomena Epps |

Kiasma Museum of Contemporary Art, Helsinki, Finland

BY Philomena Epps |