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Piero Golia

Rome has long been a draw for international artists and now, increasingly, galleries. Have Italian artists been left at the gates?

Piero Golia, Chalet Hollywood, 2016. Courtesy the artist; photograph: Jeremy Bittermann

What Piero Golia's Chalet project reveals about private and public social spaces for artists

Luigi Ghirri, Capri, 1982, from ‘Viaggio in Italia’ (Journey through Italy), 1973–84, photograph. Courtesy: Museo di Fotografia Contemporanea, Cinisello Balsamo © The Estate of Luigi Ghirri

The 55th Venice Biennale