Religion

Showing results 1-18 of 18

An exhibition of kaleidoscopic painting at Victoria Miro, London, is a celebration of free love and excess

BY Chloë Ashby |

The performance artist mines his personal history to present a new body of work that draws parallels between religious worship and BDSM cultures

BY Liz Kim |

A public art exhibition by the artist whose life was claimed by the Grenfell Tower Fire is a salve for a wounded borough

BY Natalie Nzeyimana |

Why are recent blockbuster video games so obsessed with religion?

BY Thomas McMullan |

On display at Cleveland Museum of Art are 125 religiously revered works from the past 1300 years 

BY Frieze News Desk |

Flecks of rare blue pigment found in a skeleton show women were also skilled manuscript painters 900 years ago

Michael Muhammad Knight’s is not just a good book of religious scholarship, but a strange, delightful memoir

BY Shiv Kotecha |

In a new book, T.J. Clark scours art historical depictions of divinity for clues about our contemporary age

BY Shahidha Bari |

On the eve of his two retrospectives in Paris, the artist discusses the works that have shaped his practice and thinking

BY Roee Rosen |

The Vatican Museums were due to host an exhibition of the Pop artist’s religious works, including his ‘Last Supper’ series

As morbid devotional objects go on show at Frieze Masters, one writer asks: why do we look at violent religious art?

BY Olivia Laing |

A night within the walls of Pasaquan, the mystical compound of St. EOM

BY Daniel Fuller |

In her prints, paintings, photographs and videos, Andrea Büttner explores poverty, community and her philosophy of 'little works'

BY Brian Dillon |

The spiritual and the secular in art today

BY Kaelen Wilson-Goldie |

From clairvoyance to religiosity and the secret of the ‘100 Black Planets’

BY Tom Morton |

Does theology hold the answer for revolutionary politics?

BY Paul Teasdale |

Music, tradition and Islam; organized noise, film and instability

BY Andrew Bonacina |

Eds. Maria Hlavajova, Sven Lütticken and Jill Winder (BAK, Utrecht, and post editions, Rotterdam, 2009)

BY Mark Fisher |