Renée Green

An exhibiton at Hessel Museum of Art, Annandale-on-Hudson, is dedicated to two of New York’s most influential galleries of the 1980s

By Chris Wiley

‘Green’s installation doesn’t exist to serve as evidence of well-established narratives’

By Iman Issa
Renée Green, Poem #5 (Years & Afters) (detail), 2015, installed at Frieze New York 2018 for ASSEMBLY

Frieze Fairs - 05 May 2018

A mass of poetic, colorful banners Is animated by a specially commissioned new sound work, Begin Again, Begin Again (Years) (2018). Presented by Galerie Nagel Draxler.

Renée Green, Space Poem #5 (Years & Afters) (2015). Courtesy of the artist and Galerie Nagel Draxler

Galerie Nagel Draxler

Renée Green, Import/Export Funk Office, 1992

By Martine Syms
Renée Green, exhibition invitation card for ‘Import/Export Funk Office’ at Galerie Christian Nagel, Cologne, 1992. Pictured: Angela Davis and Theodor Adorno. Courtesy: the artist and Galerie Nagel Draxler, Berlin/Cologne

Diedrich Diederichsen and Renée Green discuss cultural ownership and transfer in Germany and the US. Moderated by Pablo Larios

By Diedrich Diederichsen and Renée Green
Art Club 2000 Untitled (Conran’s I), 1992–3, c-type print

Revisiting art’s social turn and the 1990s: the decade that has yet to end

By Lars Bang Larsen

Various venues, Kassel, Germany

By Kobena Mercer