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Review

Basma Alsharif, 2019, installation view. Courtesy: Museum of Contemporary Art, Toronto; photograph: Tom Arban Photography Inc.

 In her show at MOCA Toronto, the artist’s imaginative narratives unravel official histories of patriarchy and colonization

By Jill Glessing

The Barcelona-based artist’s survey at Lisbon’s MAAT shows the breadth of his experiments in urban architectures and rudimentary materials

By Cristina Sanchez-Kozyreva

The late artist Knud Viktor painted a sonic portrait of the non-human world

By Steven Zultanski

An austere presentation at Cabinet Gallery does a disservice to the great writer’s disregard for convention

By Patrick Langley

An immersive installation at Gasworks offers different modes of thinking about ‘the psychic inheritance of an experience for which one has no memor

By Derica Shields

For his first solo show at Gavin Brown’s enterprise, the artist’s five rapturous landscapes channel the cries of condemned and enslaved bodies unde

By Shiv Kotecha

The London-based sculptor’s new show at Kunstverein München delves into the queasy malleability of bodies

By Louisa Elderton

A Wunderkammer-like exhibition at The Hepworth Wakefield shows objects from all times and places alongside the artist’s own ceramic vessels

By Isabella Smith

A provocative exhibition at Casa Luis Barragán reframes the architect’s home and studio through his class and gay identity

By Evan Moffitt

The artist’s video installation at Berlinische Galerie sheds new light on female strategies of self-staging

By Grace Sparapani

Gaby Sahhar’s solo show explores London city life via pen-and-ink drawings and a video

By Gabriella Pounds

In her solo show at CCA Wattis, San Francisco, the artist invokes sports awards to critique our obsession with victory

By Travis Diehl