Review

A new retrospective shows a different side to the cosmic dreamer

By Figgy Guyver

Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world

By Andrew Durbin

Hernandez catalogues the avenues and intersections that make Los Angeles a city, and not only a web of connections between the area’s freeways and suburban sprawl

By Jennifer Piejko

The images, both elegiac and irreverent, challenge an idealized Russian heterosexuality

By Jennifer Wilson

At C3A, Córdoba, the artist explores the strategies of theatre and its relation to the audience

By Rafael Barber Cortell

While some have written that Norman Fucking Rockwell! is about the coming end of America, Del Rey knows that America is already over

By Audrey Wollen

From political caricatures to self-contradictory statements by Donald Trump, this year’s edition of the biennial pays tribute to the potential of satire

By Emily McDermott

At Mujin-to Production, Tokyo, the artist’s Clockwork Orange-like experiments confront us with the visceral traumas of war

By Ryan Holmberg

With the 25th anniversary of the Rwandan Genocide against the Tutsi, an exhibition at Leipzig’s GfZK sheds light on the aftermath of the tragedy

By Louisa Elderton

An elegant exhibition of ceramics at Kettle’s Yard, Cambridge, UK, questions our expectation of functionality

By Amy Sherlock

The artist’s first institutional exhibition explores her unique system of references

By Carina Bukuts

The artist’s solo show of tapestries at Anna Schwartz Gallery in Melbourne are invocations of an erstwhile era 

By Sophie Knezic