A Picasso, snatched from Rotterdam’s Kunsthal Museum in 2012 in ‘the theft of the century’, has been revived in an elaborate hoax

For more than four decades, Geta Brătescu has been a central figure in Romanian art. She writes about the images, travels and art works that have influenced her practice

From the series ‘Metal  Doors’, 2011, digital colour  prints on  dibond, each: 90 × 70 cm

Interventions in Bucharest's history of state bureaucracy and brutalist architecture

By H.G. Masters