Rosalind Nashashibi

From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’

By Tom Jeffreys

The London-based filmmaker will work on site in close ‘proximity to the gallery’s collection, research and teams’

By Frieze News Desk
Rosalind Nashashibi, Soft Gate, 2019, Oil on canvas

New York

8 Mar
18 Apr

Her work animates the consequences of our colonial history and the construction of identity politics: in a divided Britain, will we listen?

By David Osbaldeston

Highlights of the shows included in the third iteration of Dublin Gallery Weekend

By Gemma Tipton

A response to some of the responses

By Paul Clinton

Rosalind Nashashibi's films and photographs observe the nuances of everyday life around the world

By Martin Herbert