Shahryar Nashat

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

By Orit Gat

Mother on Wheels (Oro Grigio), 2018 (P2)

Los Angeles

16 Feb
24 Mar
Shahryar Nashat, Image Is an Orphan, 2017, installation view, Kunsthalle Basel, Switzerland. Courtesy: the artist, David Kordansky Gallery, Los Angeles, USA, and Rodeo Gallery, London, UK; photograph: Philipp Hänger / Kunsthalle Basel

Kunsthalle Basel, Switzerland

By Caoimhín Mac Giolla Léith

Hammer Museum, Los Angeles, USA

By Jonathan Griffin
Claudia Comte, Donut, from the series ‘Squeezed Tubes’, 2015, yellow wood, on Triangle12, black and white pattern, 45 x 45 x 15 cm. Courtesy: the artist and König Galerie, Berlin

The pick of the shows opening this week as part of Berlin Gallery Weekend

By Arielle Bier

A new video examines sculptures as stand-ins

Attend to the Wound, 2012,  offset print and c-type print on paper, left  50 × 44 cm, right 100 × 70 cm. All images courtesy the artist, Silberkuppe, Berlin, and Rodeo,  Istanbul

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals

By Jörg Heiser
Oliver Laric, „Kopienkritik“, 2011, Videoinstallation in der Skulpturhalle Basel

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal

By Manuela Ammer

Galleria SALES, Rome, Italy

By Emily Verla Bovino