Shana Moulton

This year’s edition of the French biennale asks how biological and economic developments inform one another

By Helena Julian
Untitled 1989, installation view, Galerie Fons Welters, Amsterdam. Courtesy: the artist and Galerie Fons Welters, Amsterdam


25 Nov
7 Jan

Artists' Film - 01 Sep 2016

With new episodes of ‘Telethon’, ‘The O.K. Show’, ‘Desde el Jardín’ and ‘The New Domestic Woodshop’

Ming Wong, Aku Akan Bertahan / I Will Survive (production still), 2015. Three-channel video installation, running time variable. Courtesy the artist, Vitamin Creative Space, Guangzhou and carlier | gebauer, Berlin

Samson Kambalu, Rachel Maclean, Shana Moulton and Ming Wong premiere new commissions

Shana Moulton, ‘Whispering Pines’ (2002–)

A series investigating the West’s fascination with esotericism and New Age philosophy

AA Bronson and Ryan Brewer, Red, 2011, Duratrans transparency in  lightbox, 214 × 143 × 15 cm. Courtesy: the artist and Maureen Paley, London; © AA Bronson and Ryan Brewer

On mimesis, art and alchemy

By Jan Verwoert
'Hybridize or Disappear', 2015, foreground: Katja Novitskova, Approximation (Toucan), 2014, digital print on aluminium, 1.4 x 2.2 m

Museu do Chiado, Lisbon, Portugal

By Elvia Wilk
Shana Moulton and Nick Hallett, Whispering Pines 10, 2010, from the series ‘Whispering Pines’ (2002–ongoing), performance documentation, SFMoMA, 2012

The New York-based artist talks about character, the West Coast, process and slime

By Graham T. Beck