Sheila Hicks

 Child’s dress, Greenland, mid-14th century, wool. Courtesy: Nationalmuseet, Copenhagen

‘The fact that it was most likely made with recycled fabric touches me immensely’


7 Feb
30 Apr


4 Oct
11 Nov

Images from the 57th Venice Biennale

A first look at ‘Viva Arte Viva’ at the Arsenale

The impact of pre-Columbian techniques and designs on 20th-century artists

Various venues, Glasgow

Atterrissage, 2014, pigments and acrylic fibres, 4.8 × 4.3 × 2.6 m. Courtesy: the artist, Galerie Frank Elbaz,  Paris, Alison Jacques Gallery and Michelle D’Souza Fine Art, London; photograph: Zarko Vijatovic.

Jennifer Higgie talks to Sheila Hicks about the 60-year evolution of her artistic language