Simon Denny

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The fifth edition of Frieze Los Angeles is a space to explore the interstices of natural, urban and digital worlds, in work by Sam McKinniss, Lynn Hershman Leeson, Kim Sung Yoon and Lee Bul

Peter Brock explores what blockchain technology could mean for power relations within the art world

BY Peter Brock |

The co-founders Simon Denny, Willem de Rooij and programme alumni explain why artists are essential to the fabric of Berlin

Take advantage of 'crisitunities' to defend the rights of workers - or exploit them

BY Simon Denny AND Joanna Pope |

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

BY Fanny Singer |

From Palantir to Microsoft to Google, the new resistance arises from labour itself

BY Mike Pepi |

As startups looks towards increasingly abstract schemes, where is the art that answers to today’s deeply networked structures?

BY Gary Zhexi Zhang |

Visualizing the Snowden archive

BY Christy Lange |

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

BY Paul Teasdale |

Jessica Silverman Gallery, San Francisco, USA

BY Jonathan Griffin |

Pablo Larios interviews artists Simon Denny, Yngve Holen and Marlie Mul

Galerie Daniel Buchholz, Cologne, Germany

BY Catrin Lorch |