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Sprüth Magers

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

By Andrew Durbin

The Berlin-based gallery wins for an outstanding gallery presentation at Frieze London

With exhibitions at more than 45 official participating venues, here’s our guide of what not to miss during Berlin Art Week

By Emily McDermott
John Bock, Unheil (2018), Set photo with Frank Seppeler. © John Bock. Courtesy Sprüth Magers. Photography: Martin Sommer

Berlin

24 Nov
19 Jan
Thomas Demand, Cavern, 2018, Framed Pigment Print, 65,7 x 136 cm. © Thomas Demand, VG Bild-Kunst, Bonn, 2018. Courtesy Sprüth Magers

Berlin

24 Nov
19 Jan
David Ostrowski, 'F (Freischwinger)', 2018. © David Ostrowski. Courtesy Sprüth Magers. Photography: Mareike Tocha, Köln

London

28 Nov
19 Jan

‘When I opened Monika Sprüth Galerie, only very few German gallerists represented women artists’

By Pablo Larios

From a preview of Konrad Fischer’s new space, to Simon Fujiwara’s thought-provoking commentary on gender bias

By Hili Perlson

All three galleries of Sprüth Magers’s Berlin space are given over to the late artist’s painterly evolution, much of which is long unseen

By John Quin

Los Angeles

7 Sep
21 Oct

Q. If you could live with only one piece of art what would it be? A. Las Meninas (1656), my first art-love. 

By David Lamelas

Wayne Thiebaud in conversation with Thomas Demand

By Thomas Demand