Susan Philipsz

Showing results 1-6 of 6

From Kayode Ojo's synthetic opulence at Sweetwater, Berlin, to Jef Geys’s playful iconoclasm at Kunsthalle Bern

BY frieze |

At Konrad Fischer Galerie, Berlin, the artist harnesses her voice to explore how sound can sculpt our perceptions of space

BY Sonja-Maria Borstner |

From Rebecca Horn’s kinetic installations to Richard Sides’s matrix, assistant editor Carina Bukuts chooses the exhibitions not to miss

BY Carina Bukuts |

As the most expensive railway on earth is built, is art being used as a mouthpiece for power?

BY Tom Jeffreys |

Bonniers Konsthall, Stockholm, Sweden

BY Timotheus Vermeulen |

Songs as memorials; the presence of the past in empty spaces

BY Jonathan Griffin |