Susanne von Falkenhausen

Remembering a meeting of two worlds in November 1989

Affect theory is a carefully constructed blind spot, writes Susanne von Falkenhausen, blind to its own ideologies

Is censoring art the solution to divisive politics? Art historian Susanne von Falkenhausen doesn’t think so

Art sees itself as facing a crisis of legitimation – can this account for claims to 'authenticity' being made in shows such as documenta 14?