Think Piece

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Public monuments, Islamic State and contesting the story of the past by Marina Warner

BY Marina Warner |

On mimesis, art and alchemy

BY Jan Verwoert |

The intermingling of art and illustration in the work of Catrin Morgan, Jockum Nordström, Tomi Ungerer

BY Charlie Fox |

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale

BY Kaelen Wilson-Goldie |

How a sense of the local shapes art in the US

BY Jennifer Kabat |

In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?

BY David Geers |

Imagine a door with no room: Are you inside or outside?

BY Amy Sherlock |

A slew of recent exhibitions and projects reveal an interest in the artist as anthropologist

BY Kaelen Wilson-Goldie |

Approaching sincerity via poetry and art

BY Matthew Rana |

British art and the 1990s

BY Dan Fox |

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries?

BY Kaelen Wilson-Goldie |

What do drones see? And how can we see them?

BY Christy Lange |

From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair

BY Ara H. Merjian |

A number of recent exhibitions and artist projects have utilized the architecture of the television studio. How does this tendency relate to TV’s shifting significance as a cultural form?

BY Maeve Connolly |

How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day

BY Kaelen Wilson-Goldie |

Pleasure and Criticism

BY Jan Verwoert |