Thomas Hirschhorn

New York

28 Oct
22 Dec

Thoughts on the difficulties of introducing art into the public realm, following a recent symposium organized by Oslo Pilot

By Harry Thorne

A report from the 47th edition of the annual photography festival

By Simon Bowcock

The changing landscape of the French capital’s gallery scene

By Vivian Sky Rehberg
Thomas Hirschhorn, Globalization Reversed, 2015, installation view

Manège de Sury, Mons, Belgium

By Laura Herman
Thomas Hirschhorn, Abschlag, 2014, installation view at General Staff Building, State Hermitage Museum

The State Hermitage Museum, St Petersburg, Russia

By Noemi Smolik
Peter Fischli / David Weiss, Der Brand von Uster aus der „Wurstserie“, 1979

Is there any way to escape national stereotypes?

By Gianni Jetzer
Christoph Büchel, Secession, 2010, 10. Februar – 18. April 2010, Secession, Wien

Are the changes to Swiss art funding only about censorship?

By Quinn Latimer

Various locations, New Zealand

By Max Delany

Various venues, Kassel, Germany

By Dan Fox