Tom Jeffreys

A new report suggests that women, people from working-class backgrounds and BAME workers all face significant exclusion

By Tom Jeffreys
Nicholas Mangan, Ancient Lights (detail), 2015, two-screen installation, solar panels, batteries, projectors powered by solar energy, dimensions variable. Courtesy: the artist, Sutton Gallery, Melbourne, Hopkinson Mossman, Auckland and Labor, Mexico

At once stagnant and dynamic, politically tense and blissfully buoyant, the French capital was a strange place to be living this year

By Tom Jeffreys

Angelica Mesiti’s films explore the myriad ways humans communicate

By Tom Jeffreys

A slew of exhibitions commemorates the centenary of the Russian Revolution 

By Tom Jeffreys

galerie frank elbaz, Paris, France

By Tom Jeffreys
Lang/Baumann, Up #3, 2017, steel, wood, paint, 9 x 11 x 10 m. Courtesy: L/B

Various venues, Le Havre, France

By Tom Jeffreys

The boom in Paris's private art foundations

By Tom Jeffreys

Who is Françoise Nyssen?

By Tom Jeffreys
Fayçal Bagrhiche, exhibition view of ‘Suite et fin’ at Le SHED. Courtesy: Le SHED, Notre-Dame de Bondeville, France; photograph : Samir Ramdani

Le SHED, Notre-Dame de Bondeville, France

By Tom Jeffreys

Air de Paris, France 

By Tom Jeffreys
Nina Canell, Gum Shelf, 2017. Courtesy: galleries Barbara Wien and Daniel Marzona, Berlin. © André Morin / le Crédac

Ahead of Paris Gallery Weekend, a round-up of the best shows to see in the French capital

By Tom Jeffreys

Galerie Chantal Crousel, Paris, France

By Tom Jeffreys