US Reviews

At de boer gallery, Los Angeles, the artist plumbs personal documentation and film to create photorealistic paintings that destabilize truthhood

The artist’s survey at High Museum of Art, Atlanta, draws from original and reprinted photography to challenge the viewer's expectations of Black photographic subjects

Characterized by a series of micro-shows, this year’s exhibition approaches postwar US imperialism through a multiplicity of lenses 

An exhibition at the Smart Art Museum, Chicago, questions the role of the market and the possibility of pure aesthetics in single-coloured works

Paired with sculptures from the Nasher’s permanent collection, the artist’s new work explores the vulnerability of the body

At PROA21 in Buenos Aires, the artist showcases a series of new films which convey the lifeforce that permeates the cities where he lives and the communities that build them up

In his first solo show in Los Angeles since 1984, at Parrasch Heijnen, the artist shows paper and canvas works that draw from global influences

At Casey Kaplan, New York, the South African artist transforms everyday materials into colossal tapestries inspired by movements that characterize the dances of his homeland

At The Shed, New York, figurative paintings on pardo paper lead us to reconsider our own positions in relation to artworks and museum spaces

At Amant, Brooklyn, the women-led group show fluidly reimagines the mythological creature in a media-spanning exhibition

‘STAND’, at The Watermill Center, New York, is the most comprehensive survey to date at the institution that jumpstarted the artist’s 50-year career

At Monique Meloche, Chicago, the artist subverts the worst of American racial stereotyping in briskly emotive figurative paintings

In two interrelated solo exhibitions at Silverlens, New York, Atienza refuses a touristic gaze of the Philippines’s landscape while Yee urges grassroots governance

At Museu de Arte de São Paulo, the artist memorializes the Black leaders and notable individuals overlooked in the country’s visual past

'52 Artists: A Feminist Milestone' at the Aldrich Contemporary Art Museum commemorates and expands upon Lucy Lippard's groundbreaking 1971 exhibition 'Twenty Six Contemporary Women Artists'

In her solo exhibition at MARCH, New York, the artist depicts communal life in scenes of both peace and violence as a site for political revolution

In the artist’s solo show at ICA/Boston, figurative sculptures articulate the social power of family and community

The artist’s first posthumous exhibition at Sprüth Magers, Los Angeles, defies easy assumptions about her work and life

Paired together at Meredith Rosen Gallery, New York, Friedman-Pappas explores the continuing drive toward industrialization while Black critiques the world of racial capitalism born from it

Nature and culture are inseparable in ‘Strike-Slip’, the artist’s first solo show at Bel Ami, Los Angeles