Venice

Winner of the Future Generation Special Prize, the artist sheds a light on rape culture in South Africa and around the world

By M. Neelika Jayawardane

More than 80 works from four decades mine the tension between beauty and horror

By Hili Perlson
St. Mark's Square During the Historic Flood, 1966. Courtesy: Wikimedia Commons

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

By Andrew Durbin
Njideka Akunyili Crosby “The Beautyful Ones” Series #7, 2018, acrylic, colour pencil and transfer on paper, 152.1 x 108 cm, 59 7/8 x 42 1/2 in, © Njideka Akunyili Crosby, courtesy the artist, Victoria Miro, and David Zwirner

Venice

8 May
13 Jul
Grayson Perry, The Invasion of Waltham Forest, 2003, glazed ceramic, 52 x 34 (dia.) cm, © Grayson Perry, courtesy the artist and Victoria Miro, London/Venice

Venice

26 Jan
18 Apr

In further news: cultural figures demand resignation of Germany’s foreign minister; Joan Miró paintings damaged in Venice floods

After months of speculation, Puryear has been chosen for the US pavilion, organized by the Madison Square Park Conservancy

By Frieze News Desk

Sponsored Content - 30 Jul 2018

As Varejão’s ‘Saunas and Baths’ paintings and ‘Meat Ruins’ sculptures go on show at Victoria Miro, Venice, the Brazilian artist on her work’s layers of meaning

She is the third female artist in a row chosen for the Great Britain pavilion

By Frieze News Desk
Daria Martin, Soft Materials, 2014. Courtesy: KADIST, San Francisco/Paris

Venice

26 Nov
31 Mar

Arsenale and Giardini, Venice, Italy

By Chris Wiley
Jacqueline de Jong, The Situationist Times, 1962–67, covers of issues 5 and 6, designed and edited by Jacqueline de Jong. Courtesy: the artist and the Beinecke Library, Yale University, New Haven

From situationists to shame: what to read this weekend

By Paul Clinton