W.A.G.E.

Recent studies highlight deep precarity in the art world, alongside a renewed push for fairer payment and resistance to ‘self-exploitation’

By Chris Sharratt

W.A.G.E issued demands in an open letter to protest against non-removal of weapons mogul as museum’s vice chair

By Frieze News Desk

‘The demand to be paid is a political one,’ says campaigning organization W.A.G.E.

W.A.G.E.’s open letter to the New Museum

By Sarah Hromack

Healing Arts Initiative shuts down, W.A.G.E. challenges the New Museum and Grazer Kunstverein appoints a new artistic director

Wasted Rita, I Am Human, 2012; Courtesy: the artist

W.A.G.E.’s fight for artist fees

By Nicole Cohen and Greig de Peuter
Daniel Buren, Les cabanes éclatées imbriquées, travail in situ (Exploded Overlapping Cabins, Work in Situ), 2011, installation view at Centre Pompidou-Metz

Dan Fox invited eight artists and artist groups to reflect on their relationships to curators and curatorial discourse

By Dan Fox
From the series ‘Life. Drawing.’, organized by David Horvitz and Adam Katz in Zuccotti Park, New York, 2011–12

How Occupy influenced New York’s art scene

By Tirdad Zolghadr
Talks
Audience at 'Art and the State: Back to New Deal Funding?' panel discussion at Frieze Talks 2009. Photograph: Polly Braden/Frieze

Back to New Deal models?