Writing

Showing results 1-15 of 15

Lindsay Choi looks at two works by the artist that invite her audience to mutual exchange

 

BY Lindsay Choi |

When lockdown hit London, the artist Issy Wood used her blog as a regimented daily exercise: an attempt to describe the experience of a time when ‘every day is precious but of no consequence’

BY Issy Wood |

An exhibition at Centre d’Art Contemporain, Geneva, explores writing’s role in embodiment and spiritual grounding

BY Harry Burke |

‘He created rhythmic patterns that sounded, in your mind or on his voice, both adamantine and feline at once’

BY Cal Revely-Calder |

‘Nelson is wilful and demanding, forever frustrated by the gap between expression and vision, as are all great artists’

BY Claire L. Evans |

Found first in the pages of NME, an homage to the critic who brought an antic traduction of high French theory to the study of contemporary pop

BY Brian Dillon |

What's so great about authenticity?

BY Olivia Laing |

Remembering Umberto Eco (1932–2016)

BY Gianfranco Marrone |

Man Booker Prize winner László Krasznahorkai goes to China in search of sorrow and destruction in his latest book

BY Michael Barron |

Literature versus art history

BY Quinn Latimer |

Jesse Ball is an author, poet, artist and lucid dreaming instructor based in Chicago. Ross Simonini talked to him about his new novel, The Curfew, ‘writing as a performance’, and the importance of both clarity and deception in story-telling

BY Ross Simonini |

Why a growing number of artists are turning away from image-making to writing and performance

BY Dieter Roelstraete |

A new, expanded edition of Lawrence Weschler’s classic, Seeing is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin is a cause for celebration

BY Eugenia Bell |

'What writing has most influenced the way you think about art?' Writers, artists and curators reveal the often surprising literary influences – from Theodor W. Adorno to Lester Bangs, Gertrude Stein and P.G. Wodehouse – that have shaped their thinking.