This month, three exhibitions open in Frieze's Mayfair space, including a solo show by Rameshwar Broota, an artist-led reflection on Edward Burra and Fathi Hassan's response to The Sunderland Collection
The most embarrassing moment in Peter Carey’s memoir Wrong About Japan (2005) has to be when he naively queries a master sword maker about the ethics of conferring sublime artistry in the crafting of an instrument of death. Carey mangles it in great fashion, though I’m certain many readers would feel he struck a bold intervention into Japan’s supposed disregard of post-war ethics. I had forgotten about Wrong About Japan until the release of Hayao Miyazaki’s The Wind Rises (2013).