T
Contributor
Travis Diehl

Travis Diehl is online editor at X-TRA. He is a recipient of the Andy Warhol Foundation Arts Writers Grant and the Rabkin Prize in Visual Arts Journalism.

From Christopher Wool’s swirling abstractions in the Financial District, to Huma Bhabha’s bronze forms at Brooklyn Bridge Park, these are the must-see exhibitions during Frieze New York

BY Travis Diehl |

The artist’s new installation at SculptureCenter is a strained metaphor for colonization, gender binaries and time itself

BY Travis Diehl |

With major shows at MCA, Chicago and Hauser & Wirth London, the artist assesses his past, present and future

BY Travis Diehl |

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

BY Travis Diehl |

The Founder of Del Vaz Projects expands his vision with the Frieze projects program, sited across Santa Monica and the Westside

 

BY Travis Diehl |

The artist’s new show at King’s Leap, New York, uses ‘TIME’ magazine to unpack recent historical narratives

BY Travis Diehl |

From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows

BY Travis Diehl |

At the Queens Museum, New York, a survey of the artist’s career showcases her feminist genre of social practice

BY Travis Diehl |

The artist and author’s new novella, ‘Tuesday or September or The End’, imagines an alternative collective future

BY Travis Diehl |

A group show curated by Sylvie Fortin at the Bemis Center for Contemporary Arts, Omaha, delves into the politics of social health

BY Travis Diehl |

Travis Diehl on the successes and failures – both past and present – of the young triennial in its attempt to revitalize the city in the wake of climate disasters

BY Travis Diehl |

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

BY Travis Diehl |

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

BY Travis Diehl |

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

BY Travis Diehl AND Kenjiro Okazaki |

At the Institute of Contemporary Art, Miami, the artist presents a suite of new works that confronts the notion of 'white angst' in western iconography

BY Travis Diehl |

Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write

BY Travis Diehl |



At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations

BY Travis Diehl |

The artist on her proposed New Monument for Franska Tomten and how minimalist aesthetics speak to the complex history of Sweden’s colonial past

BY Travis Diehl AND Aria Dean |

The artist’s first feature film depicts a mother-daughter pair of grifters trying to stay afloat through financial recession 

BY Travis Diehl |

Conceptual artist Patrick Jackson presents a series of photographs and glass shelves that riff on modernism and minimalism

BY Travis Diehl |