At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
While crossing the deserts of Arizona on my way back from Canadian independent curator Bruce Ferguson's first major international, art-starred curatorial project, I recalled his acute interrogations delivered at a conference on 'Artistic and Cultural Identity in the Western Hemisphere' held in São Paulo in 199