The art curator and historian shares her picks of the fair, from Mama Nike's trailblazing textiles to Emma Amos's politically charged paintings

Andrea Emelife talks to patron Ralph Segreti about the artists he champions, including Theaster Gates

At Gallery 1957, London, the Ghanaian artist explores Stuart Hall's theory that cultural identity 'belongs as much to the future as it does to the past'

Amongst the family portraits and Sèvres porcelain, the artist’s newly commissioned paintings reflect on a broken Britain