At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
What’s all the fuss about Paul Thomas Anderson’s The Master? The first rave reviews of Anderson’s new, well, designated 'masterpiece' came on the social media, of course. Friends and colleagues who had seen a 70mm-projection at the Venice Film Festival a couple of weeks ago were mostly in awe and expected a sure win of the Golden Lion (it went to Kim Ki-duk instead).
Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances