Contributor
Chloe Stead

Chloe Stead is associate editor of frieze. She lives in Berlin, Germany. 

From a long overdue retrospective of Chantal Akerman to a group show celebrating the centenary of the Surrealist Manifesto

BY Ivana Cholakova AND Chloe Stead |

From dynamic performance and moving image to several major biennials, four frieze editors discuss the year in art

Other highlights include a dance piece based on a cannibalistic tribal community and a novel coming-of-age story

BY Chloe Stead |

Members of the collective What, How and For Whom/WHW on public art, Kasper König’s legacy and the safeguarding of artistic freedoms

Major surveys at the Serpentine Galleries, London, and the LUMA Foundation, Arles, celebrate the artist's enduring dedication to feminist practice and social justice

BY Chloe Stead |

An exhibition organized by arts foundation Perasma adds to the wealth of cultural offerings in the Dodecanese this summer

BY Chloe Stead |

Other highlights include an epistolary novel by Hannah Regel and the indie horror film 'I Saw the TV Glow'

BY Chloe Stead |

The all-women programme ‘What if Women Ruled the World’ addresses gaps in the art historical canon

BY Chloe Stead |

We revisit the artist’s ‘Great White Fear’ series, featuring phallic shark paintings, to evaluate its enduring message

BY Chloe Stead |

Despite a vague curatorial approach, ‘After Rain’ offers visitors and locals alike a chance to reflect on the Kingdom’s big plans for the region

BY Chloe Stead |

A textile- and painting-heavy edition of the Venice Biennale follows a tried and tested method of curation

BY Chloe Stead |

At Selma Feriani, Tunis, the artist uses the ruins of the ancient city of Carthage to find connections between the past and the present

BY Chloe Stead |

Other highlights include Calla Henkel’s second novel and an awards season film podcast by Vanity Fair

BY Chloe Stead |

The unfazed female figures in the artist’s ‘Hotel Paintings’ may be viewed as a playful act of self-satire

BY Chloe Stead |

At The George Economou Collection, Athens, the artist’s approach to death and dying is refreshingly unsentimental

BY Chloe Stead |

From the postponed Lagos Biennial to the first career retrospective of architect I.M. Pei at M+ in Hong Kong, these are the top picks for the year ahead

From a biennale in three neighbouring Kosovar cities to the relaunch of an institution in Berlin featuring two days of blessings, performances, readings and rituals

BY Chloe Stead |

The Passages director on independent filmmaking, censorship and the dynamics of power

BY Ira Sachs AND Chloe Stead |

From gallery expansions and closures to social media complicating relational aesthetics, three frieze editors discuss the year in art

BY Sean Burns, Marko Gluhaich AND Chloe Stead |