At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
To coincide with its major relocation to a new site in King’s Cross, artist and teacher Malcolm Le Grice traces the history of Central Saint Martins, from the mid-19th-century to today. This is the first in an occasional series of essays on art schools around the world