An ambitious exhibition in Los Angeles invites different interpretation of feminism to promote a collective resistance to systemic sexism

At the Los Angeles County Museum of Art, 'Give It or Leave It' sees the Watts Towers and Alice Coltrane's Sai Anantam Ashram as visionary sites for worldbuilding

At the Wexner Center for the Arts, the artist draws connections between the US Voting Rights Act of 1965 and Albers’s theory of colour

At The Box, Los Angeles, the artist presents a series of paintings that reflect on the last four years and sees President Trump being devoured by a troupe of vagina-dentata figures

In the artist’s survey exhibition at The Power Plant, Toronto, surreal references to the decades-long conflict blur the lines between bodies and objects, dreams and reality

The last exhibition planned by the artist herself carries on her strategic semiotic slips and disjunctions

The artist’s survey at the Hessel Museum of Art at CCS Bard, Annandale-on-Hudson, links life on microscopic and cosmic scales with moments of spiritual self-searching and reflection

The artist’s installation, on view at the Broad Art Museum at Michigan State University, draws from the legacy of the permaculture movement and the lessons of Flint 

Love, betrayal and grief: the late Cuban artist’s first US museum retrospective reveals the full range of her powers

The artist's first US survey at Museum of Contemporary Art, Chicago, sheds new light on the relationship between art and design

At the Museum of Contemporary Art Chicago, a comprehensive look at five decades of the artist's incisive, yet uplifting, practice

Cardwell Jimmerson

Kai Althoff’s enigmatic installations, performances and paintings resist easy answers in their explorations of sexuality and spirituality

Portraits, abstraction and missing pieces; hobbits, systems and Syd Barrett

Los Angeles Contemporary Exhibitions, USA

Cabinet, New York, USA

Susanne Vielmetter, Los Angeles, USA

Hammer Museum, Los Angeles, USA

Radiohole, The Kitchen, New York, USA

Natalie Haddad documents the exhibition acting as a corrective to the historical absence of Chicanos in mainstream America, and the museum