R
Contributor
Rianna Jade Parker

Rianna Jade Parker is a writer, historian and curator. Her first book, A Brief History of Black British Art, was released by Tate Publishing in 2021, and her second is forthcoming from Frances Lincoln. She is an advisory board member for Forensic Architecture, a contributing writer of frieze and a contributing editor of Tate Publishing.

How a group of self-taught practitioners pioneered a national art form by mythologizing African traditions through religious divination

BY Rianna Jade Parker |

Artists and writers remember ‘the people’s poet’, whose prolific career foregrounded the power of the pen in engaging meaningful social commentary

On the occasion of his first solo show at Harper’s, New York, the Jamaican artist speaks to Rianna Jade Parker about his unique approach to colour and figuration in painting

BY Rianna Jade Parker |

Rianna Jade Parker on a new work from the artist’s first UK solo show

BY Rianna Jade Parker |

A group exhibition at Kulturstiftung Basel H. Geiger draws attention to the unique positionality of Caribbean artists

BY Rianna Jade Parker |

Shot in Cambridge, the artist’s latest film interlaces histories of laziness, from Johnny Mercer to Audre Lorde

BY Rianna Jade Parker |

For her first UK exhibition at London’s Barbican, the artist builds a narrative of two lovers caught up in a matriarchal society

BY Rianna Jade Parker |

A rarely seen documentary shows the UK's Black communities in the wake of two tragic incidences of police brutality towards unarmed Black mothers in 1985

BY Rianna Jade Parker |

As the artist’s inaugural show at Paula Cooper Gallery opens in New York, Rianna Jade Parker guides us through her filmmaking trajectory

BY Rianna Jade Parker |

The lauded photographer of Black American life discusses community, cooking and Aretha Franklin with Rianna Jade Parker

BY Rianna Jade Parker |

The artist looks to the life of Marcus Garvey, founder of the Universal Negro Improvement Association, to foster a kind of kinship you can literally hold

BY Rianna Jade Parker |

The movement that is traditionally understood as white and privileged was more racially mixed than is commonly accepted

BY Rianna Jade Parker |

The Haitian-born artist discusses the climate crisis, losing his memory and belonging to a country of ruptures and profound dreaming

BY Rianna Jade Parker |

A force in the late ’80s and ’90s, the photographer and critic receives her first solo show in over 22 years at Autograph, London

BY Rianna Jade Parker |

After gaining UNESCO protected status, acknowledgement of the influential music genre is long overdue 

BY Rianna Jade Parker |

From the High Line Plinth to the Whitney Biennial and the Guggenheim, the artist’s sculptures celebrate the architecture of the Black female body

BY Rianna Jade Parker |

A 1979 televisual essay by the cultural theorist offers insight into black politics and representational struggle in the British media

BY Rianna Jade Parker |

At Autograph, London, Boswell’s first institutional exhibition reveals what it truly means to recover from trauma

BY Rianna Jade Parker |

Who’s Afraid of Barney Newman (1968) invokes a multiplicity of diasporic readings’

BY Rianna Jade Parker |