As the city’s art world feels the strain, Francis Irv, KAJE and Soft Network lead a bold new wave of risk-taking spaces

For Prospect.6 New Orleans, the artist crafts a vision of the Haitian diaspora through the history and resilience of Louisiana’s ancient cypress trees

A ‘survey’ of his upbringing, the artist’s hometown exhibition at Dallas’s Nasher Sculpture Center reimagines cafeteria furniture and science-class skeletons

From Christopher Wool’s swirling abstractions in the Financial District, to Huma Bhabha’s bronze forms at Brooklyn Bridge Park, these are the must-see exhibitions during Frieze New York

The artist’s new installation at SculptureCenter is a strained metaphor for colonization, gender binaries and time itself

With major shows at MCA, Chicago and Hauser & Wirth London, the artist assesses his past, present and future

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

The Founder of Del Vaz Projects expands his vision with the Frieze projects program, sited across Santa Monica and the Westside

The artist’s new show at King’s Leap, New York, uses ‘TIME’ magazine to unpack recent historical narratives

From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows

At the Queens Museum, New York, a survey of the artist’s career showcases her feminist genre of social practice

The artist and author’s new novella, ‘Tuesday or September or The End’, imagines an alternative collective future

A group show curated by Sylvie Fortin at the Bemis Center for Contemporary Arts, Omaha, delves into the politics of social health

Travis Diehl on the successes and failures – both past and present – of the young triennial in its attempt to revitalize the city in the wake of climate disasters

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

At the Institute of Contemporary Art, Miami, the artist presents a suite of new works that confronts the notion of 'white angst' in western iconography

Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write

At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations