In the new edition of frieze considers surface tenderness and utopian love in the paintings of Njideka Akunyili Crosby. We ask, is the story of ‘civilisation’ inevitably defined by violence and fear, and how can a public artwork respond to state histories of theft and suppression? We also look at Paris’s new museum-as-machine, Los Angeles’s recently restored public musical sculpture and the revival of interest in surrealism. Featuring Mark Cousins, Mary Reid Kelley & Patrick Kelley, Michael Rakowitz and Pan Yuliang.