Film

Showing results 81-100 of 111

The weightlessness of the iconic film helps alleviate the oppressive pull of reality

BY Chloe Aridjis |

Ahead of his new work, filmed on a boat in Venice, an interview with the Italian auteur

BY Barbara Casavecchia |

Steven Zultanski on the Chicago-based cult video artist

BY Steven Zultanski |

With shades of the flâneur, the artist wanders the German philosopher’s rural retreat at Todtnauberg in a new series of short films

BY Tom Morton |

The most urgent works at this year’s 70th Berlinale Film Festival are about coming to terms with culture’s inherited mythologies

BY Anthony Hawley |

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

BY Cassie Packard |

At the Blaffer Art Museum, Houston, the artist screens the lost films of a Hollywood huckster, a reminder that the media industry runs on broken dreams

BY William Harris |

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

BY Ren Ebel |

With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities 

BY Kito Nedo |

A new film documenting the destruction of an east London community centre drills into the deformation of Muslim subjects by the state

BY Marek Sullivan |

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

BY Claire-Louise Bennett |

‘Militant Desire’, a new series of screenings at London’s Gasworks, revives consciousness-raising discussions

BY Sean Burns |

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

BY Lynne Tillman |

‘Some have mattered more to the living Jalal, others to the dead one indulging in jouissance

BY Jalal Toufic |

‘I would like to dedicate this tribute to all of Zidane’s fans (of whom I am one)’

BY Violaine Boutet de Monvel |

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts |

‘No other type of cinema in recent decades has worshipped reality in this intense manner’

 

BY Mark Cousins |

‘Metaphorically, wearing an eye mask bids farewell to this desire to know, instead, one must rely on something unknown’

‘It embodies the qualities of enthusiasm, enquiry and toe-curling earnestness that art can’t exist without’

BY Dan Fox |

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri |