Opinion /
Warp Records at 30: The Best Response to Rave Nostalgia
Few other labels could claim to have cultivated such a coherent philosophy over the years: one which unites the pleasure of partying with its darker side
Review /
A Show by the Late Lutz Bacher Evokes Something ‘Just Outside of Perception’s Grasp’
The last exhibition planned by the artist herself carries on her strategic semiotic slips and disjunctions
Podcast /
Bow Down: Women in Art History
A new series about significant women artists from the past who deserve our attention
Opinion /
Is the Countryside the Future of the Art World?
From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’
Video /
‘A Different Narrative about the Role of Technology in Society’
An insight into the 2019-20 Serpentine Digital Commissions
Sponsored by Serpentine Galleries
Fair News /
Watch now: Elizabeth Peyton in conversation with Nicholas Cullinan
Opinion /
Has Martin Scorsese’s ‘The Irishman’ Arrived Too Late?
The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda
Review /
The Subtle Transfigurations of Female Gutai Artist Atsuko Tanaka
Tanaka’s retrospective at Moderna Museet, Stockholm, reveals humour and radicality in everyday things
Review /
The Art World Finally Wakes Up to Caroline Coon
A new exhibition at Tramps reveals 40 years of hidden painting
Opinion /
Why an ‘Apolitical’ Literary Establishment Is Impossible
Awarding the Nobel to a Milosevic apologist, splitting the Booker Prize, and the death of the Western canon’s most ardent defender: what is the political function of literary culture today?
Opinion /
Should the Art World Boycott Turkey?
Artists, curators and gallerists may not be able to stop war, but we can tell those who rake its profits that the arts are not open for business
Video /
Paulina Olowska: On the Idea of Freedom
The artist invites us into her studio at the Villa Kadenowka and provides a background for her show ‘Destroyed Woman’
Sponsored by Simon Lee Gallery
Review /
Erik van Lieshout’s New Film Tells a Tale of Money and Morality
With the current debate on art institutions’ reliance on private funding, the Belgian artist teaches us how to avoid becoming complicit in a company’s shady activities
Latest News
Fairs /
Frieze London 2019 in Pictures
Highlights from the 2019 edition of Frieze London which closed on Sunday 6 October. See you next year!
On View /
Recommended Shows
The definitive guide to current exhibitions at the best galleries and museums around the globe
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Video
The Archive
Browse all issues from 28 years of the frieze publishing archive
Read more about 'The Archive'