Film

Showing results 1-20 of 110

Luca Guadagnino’s new film re-envisions William S. Burroughs’s 1985 autofictional text on sexuality, desire and alienation

BY Madeleine Seidel |

Francis Ford Coppola’s 120-million-dollar passion project reflects his singular creative control, for better and worse

BY Dan Schindel |

Rose Glass’s queer romance, starring Kristen Stewart and Katy M. O’Brian, is a full of sex and violence but lacks the kind of punch to go beyond the tropes it tries to subvert

BY Lydia Popplewell |

‘Evil Does Not Exist’ is a complex exploration of sensations that indulges in the withheld and sublimely ambiguous

BY Carlos Valladares |

An interview with the filmmaker on how to reconfigure our relationship with siren sounds away from catastrophe towards collectivity and care

BY Xenia Benivolski AND Aura Satz |

BALDIGA – Unlocked Heart, a new documentary on the Berlin photographer, provides fresh insight but underplays the epicurean experiences that shaped his art

BY Cole Collins |

The German director discusses his latest Oscar-nominated film and adopting the philosophy of a Tokyo toilet cleaner

BY Stefania Tsivelekidou |

At this year’s Berlinale, the queen of electroclash proves why she’s still a badass raconteur of the crass and libidinous

BY Angel Lambo |

In his feature film debut, the director depicts Chile’s violent history while shedding light on the Selk’nam genocide

BY Arun A.K. |

For the latest Auschwitz drama, sound designer Johnnie Burn discusses working with Jonathan Glazer to reveal how ordinary people can quickly become accustomed to horror

BY Rory O'Connor |

The Passages director on independent filmmaking, censorship and the dynamics of power

BY Ira Sachs AND Chloe Stead |

Documentary filmmaker Paloma Zapata restores the spotlight on the deaf gitano dancer who revolutionized flamenco, yet was written out of history

BY Ellie Howard |

Paul Preciado’s genre-bending documentary re-envisions Virginia Woolf’s classic novel

BY Arun A.K. |

Frieze Film comes back to Seoul for 2023 with works that fracture and displace narratives while encouraging visitors to explore the city’s independent art spaces

Gina Gammell and Riley Keough’s directorial debut showcases the grim truth of reservation life in the US

BY Jane Ursula Harris |

Christopher Nolan explores his own political and moral uncertainties in this year’s most soul-searching blockbuster

BY Rory O'Connor |

The film director speaks about trilogies, COVID-19 lockdowns and his Protestant work ethic

BY Edward Frumkin AND Christian Petzold |

Florence Platarets’s new documentary on the late auteur inadvertently asks whether Cannes Film Festival has lost its taste for radical politics

BY Ela Bittencourt |