At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
David Campany is the author of Art and Photography (Phaidon 2003) and Photography andCinema (Reaktion 2008). He lectures at the University of Westminster.
From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany