계정
Jeppe Ugelvig is a curator and critic based in New York. His first book, Fashion Work, was published by Damiani in May 2020.
In shows at Kunsthalle Basel and Swiss Institute, New York, the artist celebrates the material ingenuity of Indonesia’s urban working class
Riffing on a technology trade fair, the artist’s show at Reena Spaulings Fine Art, New York, suggests that what’s onscreen doesn’t matter
Sampling the ‘Longevity Method’ made this reviewer question: Why can’t artists also be health gurus?
Nicolas Bourriaud’s theme of ‘pansori’ suggests an opera you can walk through – but this only begins to take form at the Gwangju Biennale
The artist’s paintings, featured in the upcoming Gwangju Biennale, are strikingly familiar yet elusive, offering a challenge to decode
At Company Gallery, New York, the artist uses subversion and humour to upend the ideological landscape of contemporary sex/work and our moral attitudes towards it
A visit to the artist’s Copenhagen studio revealed an obsession with animals, objects and commodity fetishism
A look into the intersection of luxury, culture and marketing through brand-owned museums
Jeppe Ugelvig reflects the growing technology of ‘moodboarding’ and how art and fashion are inextricably linked through appropriation
A compilation of the best exhibitions from across Denmark’s capital
At Lafayette Anticipations, the famed fashion designer achieves little in translating his much-lauded tactics of defamiliarization into art
In a new book and exhibition at Artists Space, New York, Tiffany Sia develops a ‘wet ontology’ of a city in perpetual crisis
For his first exhibition at Esther Schipper, Berlin, the artist created a 5D simulator to present today's politics of hyperrealism
A pair of exhibitions in New York question the nature of authorship in fashion’s postmodernity
Bjarne Melgaard’s ‘The Casual Pleasure of Disappointment’ and the perils of branding