The selection includes an unmissable overview of Nil Yalter’s work and Laurence Sturla’s enigmatic topological sculptures 

The 2023 edition of the biennial addresses the war in Ukraine alongside other conflicts and the related repression of dissent across the globe

A show at Alison Jacques highlights the artist’s technical prowess and use of colour, but lacks critical discussion of her processes

From the peat of the Scottish hill-tops, the artist embraces a material language of ritualism and transformation

Tom Jeffreys speaks with the festival director ahead of her first edition in charge of the programme

From Emily Kraus’s big, beguiling canvases at The Sunday Painter to Amanda Moström’s first solo exhibition with Rose Easton

At Camden Art Centre, the artist’s first solo UK institutional show is imbued with latent dread

Tom Jeffreys interviews the exhibition’s co-curator, Ksenia Malykh, about the significance of staging an exhibition in wartime, and the message it sends to Ukrainians and the world

This year's edition, ‘Persons, Persone, Personen’, celebrates ecologically minded contemporary art that is joyful and sensual

As the COP26 conference approaches, how individual artists and artist institutions are responding to the demands of the climate crisis

At Fruitmarket, Edinburgh, the artist’s retrospective approaches materials in a child-like manner with little regard for the objects’ origins or histories

The artist’s new show at Dundee Contemporary Arts explores the intense physicality of collective sorrow through the body as landscape

From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’

Television has long celebrated the before-and-after reveal of a freshly cleaned masterpiece – now many museums are showcasing the hidden art too

The influence of Isaac Levitan’s 1897 painting Spring, High Water on 20th-century film

Considering our scripted future at Helsinki Contemporary 

‘It’s all there: charm, humour, ethics, friendship’

Why is the figure of the witch and magical practice making a 21st-century comeback in the arts?

For 112 days Sara Morawetz retraced the 2,000 kilometre journey of two 18th century astronomers, tasked with defining the length of a metre

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist