Performance

Showing results 61-80 of 179

The provocative New York performance artist talks about her influences – from surfing to Jack Smith

BY Amy Sherlock |

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

BY Stanton Taylor |

An exhibition at Index, Stockholm, fuses activism, queer performance and pop music

BY Frida Sandström |

Linder’s ‘Full Service’ at MUDAM, Luxembourg, enacts a clever service economy between performer, viewer and museum

BY Fabian Schöneich |

In their latest production at Munich’s Kammerspiele, the Berlin-based experimental trio give an ‘actroid’ a starring role

BY Sam Williams |

The performances have been devised in collaboration with Delfina Foundation’s Aaron Cezar

BY Frieze News Desk |

‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart

BY Emma McCormick-Goodhart |

At Amsterdam’s Stedelijk Museum, Rizzo’s performance ‘Higher.xtn’ unpicks the communal politics of the dance floor

BY Stanton Taylor |

This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.

BY Rainer Diana Hamilton |

The late Brazilian artist’s retrospective at the Museum of Modern Art, Rio de Janeiro, is a delicate exploration of his multi-faceted practice

BY Fernanda Brenner |

From the effects of the economic crisis on art to the power of public participation and the most innovative non-profit spaces across the city

The RU.in.ART commission at Frieze Los Angeles channels the history of Californian performance into a celebration of the present moment 

BY Megan Metcalf |

In world first, the artist plans to harness the power of ‘Magic Leap One’ technology, and is encouraging others to join her

BY Frieze News Desk |

‘I held (and hold) his ideas and ethics like a compass’

BY Lauren Cornell |

In a recent performance at Kunstmuseum Basel, the artist demonstrates an impressive control of hysteria and hesitancy

BY Chloe Stead |

Partnership between Frieze and Singapore Tourism Board brings a free, public discussion to Singapore Art Week 2019

Major new volumes by curators RoseLee Goldberg and Catherine Wood document contemporary art’s most rambunctious medium

BY Isobel Harbison |

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

BY Ian Bourland |

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

BY Tom Jeffreys |

Frieze Music artist Anaïs on her performance philosophy