Exhibition Reviews

At the Hepworth Wakefield, the artist’s large-scale compositions and intimate miniatures on book covers conjure a subtle and imaginative realm

At Mendes Wood DM in Paris, the artist’s ‘Unfuckingtitled’ series suggests that we are snookered in our current moment

At Kasmin, New York, the artist’s new body of sculptures and drawings feel frozen between solid and liquid

At Gypsum, Cairo, the artist’s new series shows the ease with which art is turned into a decorative commodity

The artist’s survey at the Courtauld Gallery in London skillfully challenges tradition to establish a complex depiction of Black subjects

At Secession, Vienna, ‘The Offering Formula’ brings together a trilogy of introspective essay-films

The works at PACE in London skillfully blend Slavic folklore’s playful deities with sweeping landscapes to interrogate the representation of women

At Casas Riegner, Bogotá, the artist fashions spaces for community and security

At Kiang Malingue, Hong Kong, the artist continues his investigations into the apparatus of artmaking through five new videos

At Capitain Petzel, Berlin, the artist’s solo exhibition focuses on an all-women Kurdish military group

At Rockbund Art Museum, Shanghai, the artist’s olfactory installations yield to the unreliability of memory

In Margate, a group exhibition ‘edited’ by the artist evokes a pervasive mood of dread surrounding class and capitalism

From a posthumous Martin Wong retrospective in Camden to Matthew Arthur Williams’s sensitive debut in Dundee 

At Anat Ebgi, Los Angeles, sculptures and collages reference modesty screens, BDSM and gay porn mags to index the trans experience

Environmental politics loom large in this year’s Anthropocene-themed edition of the Icelandic biennale

Utopian sculptures and drawings unexhibited since their making are on view at Marc Selwyn Fine Art and Hannah Hoffman, Los Angeles

At Andréhn-Schiptjenko, Stockholm, a new body of work by the Swedish artist explores exhaustion and systemic failure

The artist’s personal and artistic roots are intertwined within a primordial landscape at MASSIMODECARLO in London

At the Fine Arts Museum, the greatest delights of ‘Small World’ are artworks that play with an absence of body or sound

Across two Chelsea galleries, ‘Prickling Goosebumps & a Humming Horizon’ transcends earlier feminist interpretations of the artist’s work to delve into cosmic ecosystems of vegetal delights