Editorial

‘An Apartment on Uranus’ is about horizons, possibilities, love, desire and alternate spaces of gender-dwelling, written in a time, as the foreword puts it, ‘that has not yet arrived’

By Bryony White

Latest Articles

Or, why the Gulf conflicts never really went away

By Melissa Gronlund

How the recently restored Abraham’s Farewell to Ishmael, on view at the Pérez Art Museum, Miami, speaks to the Israeli-Palestinian conflict

By Monica Uszerowicz

A recent show at London’s Cecilia Brunson Projects allowed the late artist to speak for himself

By ​Rebecca Jagoe

At Marta Cervera, Madrid, the artist conjures up survival mechanisms and congealed debris

By Lorena Muñoz-Alonso

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

By Travis Diehl

An out lesbian in the 1920s, Morris threw parties with the Bloomsbury Set and smoked opium with Jean Cocteau – but her story has largely been forgotten

By Francesca Wade

The artist’s first exhibition at DREI, Cologne, reflects on the social implications of everyday objects and the permanent switching between self and role

By Moritz Scheper

Highlights from the collaborative exhibition by 36 galleries across 17 spaces, which opens this weekend

By Sophie Ruigrok

It’s a refusal to learn anything about a culture that could be obliterated

By Benjamin Ramm

At the Blaffer Art Museum, Houston, the artist screens the lost films of a Hollywood huckster, a reminder that the media industry runs on broken dreams

By William Harris

Celebrating the filmmaker and DJ Jeffrey Hinton, a friend to generations of artists, designers and club-goers

By Sean Burns

At Parker Gallery, Los Angeles, the 80-year-old ‘professor emeritus’ presents new works as dazzling and personal as ever

By ​Juliana Halpert

From his dreams of Glasgow to nocturnal self-portraits, there was an edge to the writer and artist: a deep well of strangeness

By Darran Anderson

The artist’s exhibition at Marian Goodman Gallery, London, seems to mirror the evanescent nature of experience

By Sean Burns

A recent exhibition at Jenny’s from one of Los Angeles’s most elusive artists

By Gracie Hadland

At the Hirshhorn Museum in Washington, DC, Steir synthesizes two dominant modes of American painting: abstract expressionism and minimalism

By Dereck Stafford Mangus

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25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London

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