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Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

By Evan Moffitt

Latest Articles

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

By Mike Pepi

In further news: Chinese filmmaker Huang Huang arrested; Germany to return 15th-century stone cross to Namibia

By Frieze News Desk

A compilation of the best exhibitions from across Denmark’s capital city

By Kadish Morris

An exhibition in Rome explores how a move to an ocean-side home effected a transitional late period in this major artist’s work

By Ana Vukadin

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

By Orit Gat

In pictures: contrasting visions of one of the most clichéd symbols of the nation

By Figgy Guyver

The artwork, which features 3,500 life jackets, was used to advertise an orange VW Polo

By Frieze News Desk

Several artists have come forward to accuse the singer’s creative team of using their work ‘without permission, without credit’

By Frieze News Desk

A new book documents the relationship between the two 20th-century artist-superstars

By Frieze News Desk

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

By Stanton Taylor

In further news: British Museum considers return of ‘invisible’ Christian plaques to Ethiopia; further protests against Whitney vice chair

By Frieze News Desk

A brief look through the late architect’s most striking works of art

By Kadish Morris

Challenging films and installations were highlights at one of Asia’s most important festivals

By Neil Young

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

By Saim Demircan

From Marina Abramović to extinct tropical birds, seeing more than what’s there

By Matthew McLean

A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding

By Aurella Yussuf

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Sponsored Content - 22 May 2019

The sculptor’s latest work, STAND (2019) is an addition to the civic space surrounding the Philadelphia Museum of Art

LIFEWTR lounge at Frieze New York 2019

Sponsored Content - 17 May 2019

‘If we can touch one more person through what artists are doing with that medium, that’s incredibly important’ 

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Lu Yang

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March 2019

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April 2019
Janiva Ellis, Catchphrase Coping Mechanism, 2019, oil on linen, 2.2 x 1.8 m. Courtesy: the artist and 47 Canal, New York; photograph: Joerg Lohse

frieze magazine

May 2019

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