Interviews

Poet Claudia Rankine and filmmaker Alix Lambert talk to the domestic ‘intelligent personal assistant’ about film, theatre and biases in computer programming

The artist discusses her hyper-decorated tapestries, resuscitating dying traditions and retrospective in Castelo Branco, Portugal

'Romantic, muscular, propulsive': Jace Clayton discusses his tribute to the American minimalist, ahead of its London performance this weekend

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

Q: What images keep you company in the space where you work?

Magalí Arriola discusses Latin American identity and art history with curators Cecilia Fajardo-Hill, Julieta González and José Luis Blondet 

Q: What do you like the look of? A: Someone who knows who they are

Featured in Frieze Sculpture, and solo shows in London and Cliveden, the French artist talks about his career, Renoir, and sculpture in context

The winner of the British Journal of Photography International Photography Award 2017 talks about the ethics of documenting the migration crisis

The New York-based artist on her exploration into lost and found histories, installation as urban tapestry and the paradox of ancestry

Q: What do you like the look of? A: Pears

Irma Blank – who has been creating her 'writings' for over 50 years – talks about her relationship to word and image

The independent curator on 25 years in the arts

Q: What do you wish you knew? A: All that I don’t, of course!

On the eve of his first survey exhibition, Yoshua Okón talks to Magalí Arriola about Mexico, CIA covert ops, globalization and a derelict statue of George H. W. Bush

Q: What should stay the same? A: Change.

Recently awarded a USA Artist Fellowship, Lynn Hershman Leeson speaks about cultural technologies, personal narratives and alter egos 

Cosey Fanni Tutti talks to Paul Clinton about feminism, freedom and the politics of the personal

Writer Hari Kunzru speaks about his new novel, White Tears, a timely reflection on race, class and cultural appropriation in the US

Q. What is art for? A. To tell us where we are.