Fan Letter

Showing results 121-140 of 146

‘It is Björk’s ambivalence to human relations that makes her liberality so poignant’

BY Claire-Louise Bennett |

‘This is, perhaps, the best ending of any film, ever’

BY Erika Balsom |

‘Sekula’s sentences have their own nautical rhythm that brings incommensurate scales of experience into sudden relation’

BY Ben Lerner |

‘I first encountered Lialina’s piece in college and, as the years go by, I continue to return to and obsess over it.’

BY Elvia Wilk |

‘Kanzi is proficient in Yerkish, a keyboard-based language that scientists invented to communicate with great apes’

BY Amalia Pica |

‘The book reads as a collection of photographs captured by a self-recording camera’

BY Iman Issa |

‘George Michael has always told the truth. But I don’t believe that truth. Freedom is invisible. It’s just a line in an ad’

BY Abdellah Taïa |

‘Given today’s resurgent far right, Haacke’s exhibition serves as a model for resisting the present’

BY Gregor Muir |

‘A year after its release, it was still a huge dancefloor anthem and I was entering a world that would dismantle what I thought I knew about life up until that point’

BY Melanie Keen |

‘It showed the power of placing something dumb and ugly next to something glorious’

BY Hettie Judah |

‘His complex works embody both figurative social realism and mystic spiritual abstraction’

BY Lisa Brice |

‘This poetic work of propaganda helped to bring about a queer communist comradeship that spanned more than 6,000 kilometres’

BY Juliet Jacques |

‘I first saw it in a private screening room in my college library, deep in the suburbs of New England. It changed my life.’

BY Alvin Li |

‘Perry brings seemingly disparate fields into alignment with a precision that is brilliant and devastating’

BY Tom McCarthy |

‘In everything she does, Adele’s honesty is at the core of her vision’

BY Allison Katz |

‘The exhibition was one of the most formative and memorable things I’ve ever seen’

BY Chris Kraus |

How artists use junkyard landscapes to forge an escape from materially saturated culture

BY Kirsty Bell |

‘Namatjira’s political leaders all look frozen, dull behind the eyes, whiter than white, and as if battling an internal war with their fakery and greed’

BY Wes Hill |

‘By its closing scenes, I felt compelled to stand up and clap’

BY Yung Ma |