Profiles

Showing results 181-200 of 853

‘She was working on a theory of everything’: on the extraordinary life and work of Swiss visionary Emma Kunz, now at London’s Serpentine Gallery

BY Agnieszka Brzeżańska |

A tribute to the late curator and his belief in the primacy of documentation

BY Osei Bonsu |

In the artist’s first US survey at the Aldrich Contemporary Art Museum, abstract paintings and sculptures evoke women’s bodies in pleasure and pain

BY Evan Moffitt |

A tribute to the late curator’s support of artists in South Africa and how his writing on them ‘revealed something of his acute sense for history’

BY Sean O'Toole |

A tribute to the Nigeria-born poet, critic and ‘most important curator of his generation’, who persistently bid us to open our eyes

BY Jörg Heiser |

‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart

BY Emma McCormick-Goodhart |

Ahead of the Italian artist’s show at Raffaella Cortese, Milan, a look at his ideations of suffering and injustice

BY Ara H. Merjian |

In the artist’s exhibition at Centre Pompidou, materials are laced with humour and sexual innuendo

BY Wilson Tarbox |

In two shows at Goldsmiths CCA and Hales Gallery, London, Nilsson furthers her life-long alchemization of objects and limbs 

BY Philomena Epps |

Paying tribute to the legendary designer and his passion for books

BY Hans Ulrich Obrist |

Sound and light as means of order and control melt into signifiers of rebellion and counter-culture in Rodeh’s immersive installations

BY Hili Perlson |

A musician with a rare ability to write both great pop songs and deeply experimental and melancholy music

BY Juliet Jacques |

Baum’s work, on view at New York’s Bureau Gallery, calls attention to the overlooked hand labour of the textile industry

BY Megan N. Liberty |

As his retrospective opens at the Hammer Museum, a look at the influence Ruppersberg has held over art and pop culture

BY Joseph Mosconi |

From Myspace aesthetics to Backpack Kid, entering London’s narrative projects feels like stumbling into an online echo chamber

BY Mimi Chu |

Looking back at the intimate musical language of Luc Ferrari (1929-2005), who employed cinematic methods in the service of quotidian storytelling

BY Nathan Geyer |

The iconic filmmaker’s influence was felt across the length and breadth of New York in the 1960s

Hiller’s discomfort towards dominant narratives made her look at all sorts of suppressed subjects, from outlaw cowgirls to protest songs

BY Barbara Casavecchia |

As her solo show opens at the New Museum, New York, the artist discusses the legacies of colonialism and art world privilege

BY Benoît Loiseau |

The Beijing-based filmmaker focuses on performances in day-to-day life to suggest how history is produced

BY Hera Chan |