Contributor
Tom Morton

Tom Morton is a writer, curator and regular contributor to frieze based in Rochester, UK. He is the curator of the forthcoming exhibitions 'Roger Hiorns: Depotenziare' at C+N Canepaneri, Milan (opening November 2024), and 'A Room Hung With Thoughts: British Painting Now' at the Green Family Art Foundation, Dallas (opening February 2025).'

Reviews
Catherine Story
BY Tom Morton |
Reviews
Donna Huddleston
BY Tom Morton |
Reviews
Third Thessaloniki Biennale
BY Tom Morton |
Reviews
Young London, Young British Art

V22 Workspace, Young British Art

BY Tom Morton |
Opinion
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Towards a partial typology of anglophone exhibition titles

BY Tom Morton |
Reviews
Modern British Sculpture
BY Tom Morton |
Reviews
Sidney Nolan
BY Tom Morton |
Reviews
Athanasios Argianas

National Museum of Contemporary Art, Athens, Greece

BY Tom Morton |
Features
Out of the Cave

What do the first art works and recent speculations about early man tell us about today?

BY Tom Morton |
Reviews
Jess Flood-Paddock

Swallow street, London, UK

BY Tom Morton |
Reviews
Hyperborean Manners

Rob Tufnell at 1 Sutton Lane, London, UK

BY Tom Morton |
Reviews
Sam Porritt

Hats Plus, London, UK

BY Tom Morton |
Features
Letting Go

Employing media as diverse as a suspended caravan and a levitating donkey, Lara Favaretto unearths the romance and possibility buried in futility

BY Tom Morton |
Features
Remember Me

Human cameras, fortune tellers, unreliable memories – in Lindsay Seers’ work, the truth is not what it seems

BY Tom Morton |
Opinion
The Wrong Words

Wall texts in museums and galleries are meant to elucidate and educate, why are most badly written, full of jargon, and painfully reductive?

BY Tom Morton |
Reviews
Darcy Lange

Ikon Gallery, Birmingham, UK

BY Tom Morton |
Critic's Guides
Tate Triennial 2009

Curator Nicolas Bourriaud talks botany, modernity, time, class and exhibition-making

BY Tom Morton |
Features
Shape Shifter

Ambiguity, concealment and eroticism lurk in the shadows of Victor Man’s paintings and installations

BY Tom Morton |
Features
Back to the Future

Alternative histories and playful anachronisms shape Steven Claydon’s sculptures, paintings and videos

BY Tom Morton |
Reviews
Martian Museum of Terrestrial Art

Barbican Art Gallery, London, UK

BY Tom Morton |