Celebrating the author and filmmaker’s 90th birthday, frieze invited him to reflect on Walter Benjamin’s favourite film and the pleasure machines of Coney Island

On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war

Kellen Johnson speaks to Ian Bourland about how his work on the museum’s security staff has informed his decisions for curating a show at the BMA

Fernanda Brenner looks at three activists groups challenging Bolsonaro’s anti-Indigenous government

The Filipino artist-activist collective shares a chart outlining their organizing strategies

What lies beneath a grin? Gazelle Mba uses the artist's latest painting to investigate this philosophical question

Set under the context of a new Taliban regime, Mariam Ghani speaks to the artist about how the once sustained arts in Afghanistan will ensue  

With nearly every museum in the grip of contemptuous Law & Justice loyalists, what is the future of contemporary art?

As their first solo institutional show opens at the Walker Art Center, Carolyn Lazard speaks with Edna Bonhomme about avant-garde film, Blackness and disability

Wie sieht die Zukunft der zeitgenössischen Kunst im Lande aus, wenn fast jedes Museum in den Klauen der verächtlichen Parteiloyalisten von „Recht und Gerechtigkeit“ ist?

Launched in the summer of 2021, the Indigenous-led initiative promotes exhibitions, programming and fellowships as part of the Land Back Movement

After a series of new appointments for Berlin’s museums, Carina Bukuts discusses the future of the city’s institutional landscape with Anselm Franke, María Inés Plaza Lazo, Fabian Schöneich and Sung Tieu

At Halle für Kunst Steiermark, a thematic group exhibition underscores how the COVID-19 pandemic has affected our relationship to the home

At Ordet, Milan, the artist's works based on the circulation and consumption of energy speak to the power of relations

At Dortmunder Kunstverein the artist critically reflects on the institutionalisation of racism in Germany

At Efremidis, Berlin, the artist's new series of lenticular prints revisits the controversy surrounding Kristen Visbal’s Fearless Girl (2017)

At Travesía Cuatro, Mexico City, the two artists illuminate the three-storey gallery space with projected video animations and magic lanterns

At Jan Mot, Brussels, the artist's still lifes reanimate his 1987 installation at New York’s Cable Gallery, giving tangible proof of his fictional narrative

An overdue show at Tate Modern, London, focuses on the artist’s preoccupation with theatre but fails to enliven her previous triumphs

At Karma International, Zurich, the artist’s new series of prints allude to the trauma of grief

At CAPC musée d'art contemporain de Bordeaux, the artist’s wooden works commemorate the links between the region’s wine industry and its colonial history

This year's iteration of the international exhibition is impressively global in its curatorial reach but the impact of some works diminishes in cross-cultural adaptation

The artist’s debut UK exhibition at Pilar Corrias, Savile Row, delights through spinning environmental ethics with a grotesque sensibility

The painter's institutional debut at the Dallas Museum of Art relies on biblical references to soften the distinctions between the spheres of creation

At Mumok, Vienna, the artist uses the elephant as a symbol for the human cost of the textile industry in Taiwan

At MONITOR, Lisbon, the artist's series of experimental paintings mix historic events, current affairs and personal memories

An ambitious exhibition in Los Angeles invites different interpretation of feminism to promote a collective resistance to systemic sexism

A survey at Chishang Art Centre, Taiwan, positions the artist’s tenderly crafted landscapes alongside his lesser-known depictions of handsome young men

At Galerie Gisela Capitain, Cologne, the painter displays the medium's expansive possibilities with subtle disturbances in composition and colour

At Galería Curro, Guadalajara, the artist presents an immersive installation featuring neon sculptures and photographs visualizing the malleability of time

A characteristically understated exhibition at The Modern Institute uses light and domestic materials to allude to inimical forces at play in the home

An exhibition at Goldfinch Gallery, Chicago, showcases the painter’s unfussy yet intimate studies of behaviour and mundanity

A joint retrospective at KW Institute for Contemporary Art and daadgalerie, Berlin, displays the US-based artist’s critical passion for the artefacts she uncovers

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

The artist’s retrospective at Astrup Fearnley Museet, Oslo, considers how smells can speak to discourses around capital, class and colonization

An intimate show of 12 paintings at Salon 94, New York, showcases the Egyptian-born artist’s dreamlike tableaux 

At Lehmann Maupin, Seoul, the artist presents a suite of hand-sewn paintings affectionately depicting day-to-day domesticities and family life

At Bonner Kunstverein, the late Filipino artist’s first European retrospective is a poetic tribute to an oeuvre that refuses to be categorized

The solo exhibition at Maureen Paley, London, expands the artist’s long-established interests in animism, cosmology and non-Western folklore traditions

A modest survey at the Museum of Modern of Art, New York, celebrates the trailblazing career of an often-overlooked fluxus artist

The 19th edition curated by Eoin Dara sees artists pen love letters in Ireland through conversations about cruising, gender and the internet

At London’s Photographers’ Gallery, a retrospective of the US artist is an intimate yet unsentimental look into a bygone era

An ‘anti-retrospective’ repositions the artist’s work as a meme-presaging détournement of late capitalism’s spectacular logic