Ana Vukadin

The artist's latest show at Francesca Minini, Milan, celebrates the defiance of the unconforming

In Rome, a group exhibition dedicated to immersive spaces encourages gleeful interaction inside the museum's walls

How an ‘ethical, comprehensive and critical overhaul’ of the institution’s problematic collection is busting the myth of the italiani brava gente

A posthumous retrospective at MACRO, Rome, attempts to represent the artist’s demateralized practice through a trove of documentation

At Pirelli HangarBicocca, Milan, a retrospective dedicated to the eccentric artist showcases his all-consuming pursuit of perfection and beauty

At Sant’Andrea De Scaphis, Rome, the artist instils an apparently bucolic setting with a sinister undertone

At Matèria, Rome, the artist’s beeswax sculpture of a key figure in Buddhism reflects a significant moment in Mongolian history

From an exhibition dedicated to underground filmmaker Bruce Baillie to a group show addressing the absence of Roma visual culture in European art history

At P420, Bologna, the artist’s canny combination of materials fuels dark leaps of imagination

How spontaneous, informal networks are transforming the art scene of the eternal city

Building on the feminist themes of Deborah Levy's 'Real Estate', the artist’s solo exhibition at Istituto Svizzero celebrates women relegated to the side-lines of history

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

From Ruth Novaczek's fragmentary films at Kunstverein Gartenhaus, Vienna, to Rosa Barba's Ludwig Mies van der Rohe inspired installation at the Neue Nationalgalerie, Berlin, here are five shows not to be missed. 

Based on visits to this unique archaeological site, the artist's new series of ceramic sculptures mine the past to remind us of the fragility of the present

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

At Collezione Maramotti, Reggio Emilia, the artist’s largest paperwork to date explores the notion of movement 

At the Fondazione Giuliani in Rome, the artist looks at the playful and political aspects of disguises

How archival footage at MAXXI, Rome, brings to life Ponti’s wit, intellect and erudition

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

With ‘Cantiere’, the sculptor shows himself to be one of Italy’s best kept secrets