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Caomhín Mac Giolla Léith

Roni Horn, Dead Owl, 1997. Courtesy: Hauser & Wirth, Zurich and the artist. 

frieze asked 13 critics and curators from around the world to choose what they felt to be the most significant solo shows of 2009

'The Death of the Audience' (installation view) 2009, Secession, Vienna. 

frieze asked 13 critics and curators to choose what they felt to be the most significant group shows and biennials of 2009

Steve McQueen’s first feature film reveals an artist increasingly interested in the relationship between language and the body

By Caoimhín Mac Giolla Léith