Chris Sharratt

Showing results 21-40 of 53

After a five-year redevelopment of the landmark heritage site on Calton Hill, who will this ‘new kind of observatory’ be for?

BY Chris Sharratt |

With museums suffering from cash-strapped councils and national cuts, the new plan is ‘miles away’ from addressing the crisis

BY Chris Sharratt |

The ‘World’s Best Teacher’ believes arts education in the UK is in peril; can the damage be reversed?

BY Chris Sharratt |

With authors, curators and musicians recently denied entry, the UK is fast painting itself as a cultural pariah

BY Chris Sharratt |

In a Victorian-era baths in Glasgow, the artist stages her largest performance project to date, featuring a 24-woman swim team

BY Chris Sharratt |

Cancelled events and financial woes have left neighbours such as CCA and its cultural tenants in a state of limbo

BY Chris Sharratt |

Closing on Sunday, this year’s nine-day festival held across the Kentish seaside town circles around the home as protective space

BY Chris Sharratt |

The artist's tightly choreographed show about surveillance culture at Koppe Astner, Glasgow

BY Chris Sharratt |

From Linder at the Women’s Library to rare paintings by Serge Charchoune, the exhibitions to see outside of the main programme

BY Chris Sharratt |

In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling

BY Chris Sharratt |

The Barbadian filmmaker, recipient of this year’s Margaret Tait Award, is intent on disrupting institutional complacency

BY Chris Sharratt |

The Modern Institute, Glasgow, UK

BY Chris Sharratt |

De La Warr Pavilion, Bexhill-on-Sea, UK

BY Chris Sharratt |

Mary Mary, Glasgow, UK

BY Chris Sharratt |

Tramway, Glasgow, UK

BY Chris Sharratt |

Glasgow Sculpture Studios, UK

BY Chris Sharratt |

Analysis and reaction to the surprise closing of Inverleith House after 30 years

BY Chris Sharratt |

Holmwood House, Glasgow, UK

BY Chris Sharratt |

Will brutalism’s greatest legacy be its influence on artists?

BY Chris Sharratt |